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Kvadrat Divina MD Fabric

c. 2012

by Finn Sködt
for Kvadrat

Kvadrat Divina MD Insitu 2

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Kvadrat Divina MD Fabric

by Finn Sködt
for Kvadrat
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Part of the renowned Divina family, Divina MD is a richly expres­sive wool uphol­stery textile designed by Finn Sködt. With a smooth, felt-like surface and full-bodied char­ac­ter, it is crafted through a tradi­tional milling process: plain-woven wool is mechan­i­cally shrunk under heat, creat­ing a dense, direc­tion­less texture that effort­lessly high­lights the contours of organic furniture forms.

Soft, durable, and highly tactile, Divina MD is ideal for both private inte­ri­ors and contract settings. Its subtly blended yarns produce refined unicol­ored shades that, upon closer inspec­tion, reveal complex color nuances — evoking the layered depth of clas­si­cal oil paint­ings. The palette is deeply satu­rated yet sophis­ti­cated, designed to shift with light and perspec­tive, imbuing furni­ture with a quiet vibrancy.

Each color­way is care­fully composed to project tonal rich­ness without over­pow­er­ing the space, making Divina MD a versa­tile compan­ion to Divina and Divina Mélange. Together, they form a coher­ent trio, balanc­ing clarity of color with texture and tactility.

Elevated in both appear­ance and crafts­man­ship, Divina MD trans­forms surfaces into vivid expres­sions of depth, warmth, and artistic restraint.

Finn Sködt

Denmark

Finn Sködt was a Danish graphic artist and textile designer, known for his mastery of color composition and his exceptional ability to blend hues with precision. After studying at the Graphic Institute of Denmark in Copenhagen and the Aarhus Academy of Fine Arts, Sködt spent his career working from his home and workshop on the scenic Helgenæs peninsula in Denmark.

Sködt's design practice spanned several disciplines, including graphic design, painting, sculpture, and textile design. He created numerous upholstery and curtain textiles for Kvadrat from the early 1980s onward, becoming renowned for his exploration of color. His work often started with primary colors—red, yellow, and blue—before branching out into other hues and nuanced tones. Sködt’s style was deeply influenced by his background in graphic arts, with a preference for clear, vibrant colors and clean, aesthetic designs. His textiles, much like his graphic art, were known for their purity and simplicity, often featuring his beloved color: Ultramarine blue.

Sködt’s innovative use of color was not just about visual appeal but also about exploring the fluidity and movement of color itself. As he once stated: “Colors are fluid and the color blue, especially, is always going somewhere.”

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