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Kvadrat Ria Fabric

c. 2014

by Raf Simons
for Kvadrat

Ria Raf Simons Kvadrat

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Kvadrat Ria Fabric

by Raf Simons
for Kvadrat
please specify fabric names from collection, for sample requests

Ria by Raf Simons for Kvadrat is a richly textured textile inspired by Pointil­lism, the paint­ing tech­nique that layers pure pigments to create vibrant color fields. This artis­tic influ­ence trans­lates into a dynamic inter­play of color and texture in Ria’s design.

Each color­way of Ria features three tones of yarn, with a fine single-toned base inter­wo­ven with two thicker yarns that create a subtle dotted effect across the fabric’s surface. This tech­nique results in a shim­mer­ing effect, further enhanced by the use of viscose.

The color palette includes both soft and bold combinations:

  • Deli­cate tones such as duck egg blue with prim­rose and golden yellow, stone with winter white and laven­der, and natural wool with dusty pink and pine green.
  • Darker vari­a­tions featur­ing char­coal bases for a more dramatic effect.
  • Bolder compo­si­tions incor­po­rat­ing true orange and cobalt blue for a strik­ing visual impact.

With its invit­ing rough texture and sophis­ti­cated inter­play of color, Ria embod­ies Raf Simons’ explo­ration of three-dimen­sional textiles, making it a versa­tile choice for uphol­stery and interior applications.

Raf Simons

Belgium

Raf Simons, the Belgian designer long regarded as one of fashion’s most restlessly inventive figures, did not begin in clothes at all. Trained in industrial and furniture design in Genk, he turned to fashion only after an internship with Walter Van Beirendonck opened another door. In 1995, he unveiled his own menswear line—lean, razor-sharp, and youth-obsessed—an aesthetic that rewrote the codes of men’s tailoring and reverberated far beyond its Antwerp beginnings.

What followed was a sequence of appointments that read like a map of contemporary fashion itself: Jil Sander, Dior, Calvin Klein, and, most recently, Prada, where he now shares the role of co-creative director. Simons has made a career of recasting established houses in his own image, marrying provocation with polish, and insisting that elegance need not be static.

Since 2014, he has also extended his eye into textiles through a collaboration with the Danish fabric house Kvadrat. What began as a series of experiments at Calvin Klein evolved into a collection of home textiles, each a negotiation between Simons’s stark modernism and Kvadrat’s long tradition of craftsmanship. It is this ability to move across disciplines—fashion, furniture, fabric—without losing the singularity of his voice that has made Simons not only influential but indispensable to the language of design today.

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