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Kvadrat Atlas Fabric

c. 2019

by Margrethe Odgaard
for Kvadrat

Kvadrat Atlas Insitu 2

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Kvadrat Atlas Fabric

by Margrethe Odgaard
for Kvadrat
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Designed by Margrethe Odgaard, Atlas is a woollen uphol­stery textile defined by its richly detailed mélange expres­sion and bold color exper­i­men­ta­tion. Created as a fresh take on tradi­tional mélanges, Atlas uses a unique construc­tion where two double-colored yarns — one in the warp, one in the weft — inter­act to create a pattern-like surface rather than a blended fiber mix.

This approach results in extra­or­di­nary color depth and complex­ity, with precise, vibrant nuances that shift subtly with light and perspec­tive. The textile’s name, Atlas, nods to the layered colors found in topo­graphic maps — each shade reveal­ing new terrain.

Odgaard care­fully selected 37 color­ways from more than 1,200 possi­bil­i­ties, combin­ing uncon­ven­tional hues to evoke both harmony and strik­ing contrasts. The palette spans from soft sorbets to deep, near-black tones infused with hints of color, making Atlas an ideal compan­ion for other mélanges and a versa­tile choice for bold or refined interiors.

Beyond aesthet­ics, Atlas also performs beau­ti­fully in use. Its soft, flex­i­ble struc­ture allows it to conform effort­lessly to furni­ture curves, simpli­fy­ing uphol­stery and enhancing comfort.

Suit­able for both commer­cial and resi­den­tial spaces, Atlas offers design­ers a dynamic tool for creat­ing tactile, color­ful envi­ron­ments with char­ac­ter and depth.

Margrethe Odgaard

Denmark

Margrethe Odgaard is a Danish textile and color designer whose work centers on the emotional and sensory power of color. Her practice is rooted in the belief that thoughtfully designed objects—those that engage both body and mind—can create meaningful, lasting connections with users.

A graduate of the Royal Danish Academy of Fine Arts, School of Design, Odgaard also studied at the Rhode Island School of Design. Before founding her own studio, she worked with the French fashion house ÉPICE and later as a printing assistant at The Fabric Workshop and Museum in Philadelphia—experiences that shaped her approach to material, surface, and color.

Today, Odgaard balances commercial collaborations with an independent artistic practice focused on self-initiated research. Her work explores how color interacts with form, light, and space—often resulting in subtle yet striking patterns that feel deeply intuitive. Rather than treat color as decoration, she approaches it as a material in its own right, using it to enhance emotional resonance and sensory perception.

Odgaard’s nuanced palettes and minimalist compositions continue to influence contemporary textile and product design, redefining how we experience color in everyday life.

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