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Kvadrat Argo 2 Fabric

c. 2014

by Raf Simons
for Kvadrat

Argo 2 Raf Simons Kvadrat

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Kvadrat Argo 2 Fabric

by Raf Simons
for Kvadrat
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Argo 2 by Raf Simons for Kvadrat is a luxu­ri­ous mohair textile, woven from the long, silky hairs of the Angora goat. Its excep­tion­ally soft, lustrous deep pile adds a rich tactile element to any deco­ra­tive setting, while the glossy mohair fibers catch the light, accen­tu­at­ing its richly textured curls.

A contem­po­rary reimag­in­ing of mid-century modern textiles, Argo 2 pays homage to the sheep­skins, furs, and hides favored by design­ers such as Jean Royère and Pierre Jean­neret. The name Argo refer­ences Jason’s legendary ship from Greek mythol­ogy, which carried him on his quest for the Golden Fleece — a fitting inspi­ra­tion for this covetable, fleecy textile.

Avail­able in a palette of refined neutrals and vibrant modern shades, includ­ing yellows, pinks, and blues, Argo 2 is ideally suited for light uphol­stery, cush­ions, and head­boards. Crafted from top-quality natural mate­ri­als, it combines sump­tu­ous texture with time­less elegance, making it a strik­ing state­ment in any interior.

Raf Simons

Belgium

Raf Simons, the Belgian designer long regarded as one of fashion’s most restlessly inventive figures, did not begin in clothes at all. Trained in industrial and furniture design in Genk, he turned to fashion only after an internship with Walter Van Beirendonck opened another door. In 1995, he unveiled his own menswear line—lean, razor-sharp, and youth-obsessed—an aesthetic that rewrote the codes of men’s tailoring and reverberated far beyond its Antwerp beginnings.

What followed was a sequence of appointments that read like a map of contemporary fashion itself: Jil Sander, Dior, Calvin Klein, and, most recently, Prada, where he now shares the role of co-creative director. Simons has made a career of recasting established houses in his own image, marrying provocation with polish, and insisting that elegance need not be static.

Since 2014, he has also extended his eye into textiles through a collaboration with the Danish fabric house Kvadrat. What began as a series of experiments at Calvin Klein evolved into a collection of home textiles, each a negotiation between Simons’s stark modernism and Kvadrat’s long tradition of craftsmanship. It is this ability to move across disciplines—fashion, furniture, fabric—without losing the singularity of his voice that has made Simons not only influential but indispensable to the language of design today.

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