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Kvadrat Divina Mélange 3 Fabric

c. 1999

by Finn Sködt
for Kvadrat

Kvadrat Divina Melange 3 Insitu

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Kvadrat Divina Mélange 3 Fabric

by Finn Sködt
for Kvadrat
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Divina Mélange 3 is a vibrant, felt-like wool uphol­stery textile designed by artist and color master Finn Sködt. Cheer­fully minimal yet rich in depth, it is piece-dyed from a dark or light grey mélange base to produce lumi­nous, nuanced tones that bring furni­ture forms to life.

Crafted using a classic milling process — where pres­sure and heat smooth the woven wool into a soft, dense surface — Divina Mélange 3 offers excep­tional comfort and a direc­tion­less, uniform finish remi­nis­cent of fine tailor­ing. This makes it espe­cially effec­tive at show­cas­ing both shape and color.

The updated palette draws from Sködt’s exten­sive library of hand-painted samples, built over decades of artis­tic prac­tice. It blends signa­ture shades like hot pink, forest green, and his favored ultra­ma­rine with softer chalky notes and grounded neutrals. Depart­ing from previ­ous editions, the new color­ways move beyond light/​dark pairs to explore comple­men­tary contrasts, adding a fresh layer of versatility.

Time­less yet bold, Divina Mélange 3 chan­nels Sködt’s pure, intu­itive approach to color. It’s a tactile, expres­sive textile designed to elevate both contem­po­rary and classic interiors.

Finn Sködt

Denmark

Finn Sködt was a Danish graphic artist and textile designer, known for his mastery of color composition and his exceptional ability to blend hues with precision. After studying at the Graphic Institute of Denmark in Copenhagen and the Aarhus Academy of Fine Arts, Sködt spent his career working from his home and workshop on the scenic Helgenæs peninsula in Denmark.

Sködt's design practice spanned several disciplines, including graphic design, painting, sculpture, and textile design. He created numerous upholstery and curtain textiles for Kvadrat from the early 1980s onward, becoming renowned for his exploration of color. His work often started with primary colors—red, yellow, and blue—before branching out into other hues and nuanced tones. Sködt’s style was deeply influenced by his background in graphic arts, with a preference for clear, vibrant colors and clean, aesthetic designs. His textiles, much like his graphic art, were known for their purity and simplicity, often featuring his beloved color: Ultramarine blue.

Sködt’s innovative use of color was not just about visual appeal but also about exploring the fluidity and movement of color itself. As he once stated: “Colors are fluid and the color blue, especially, is always going somewhere.”

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