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Kvadrat Asator Fabric

c. 2025

by Raf Simons
for Kvadrat

Asator Raf Simons Kvadrat 3

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Kvadrat Asator Fabric

by Raf Simons
for Kvadrat
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Designed by Raf Simons for Kvadrat, Asator is a dense, short-pile velour that rein­ter­prets the clas­si­cal language of velvet through a contem­po­rary lens. Made in soft cotton, the fabric combines refine­ment with an under­stated rebel­lious­ness, balanc­ing heritage and moder­nity in equal measure.

The surface is matte rather than glossy, giving the velour a grounded, archi­tec­tural pres­ence while allow­ing its deep, satu­rated colors to read with inten­sity and clarity. The hand is sump­tu­ous yet comfort­able, offer­ing soft­ness without excess and dura­bil­ity suited to every­day use. Asator supports and sharp­ens the silhou­ette of uphol­stered pieces, enhanc­ing form through mate­r­ial pres­ence rather than ornament.

Defined by Raf Simons’ distinct palette, the fabric is offered in expres­sive mono­chromes ranging from dusty rose, violet, and aubergine to jade, cobalt, opal, and Pruss­ian blue, with vermil­ion red and cadmium yellow provid­ing strik­ing accents. Bold yet composed, Asator is a velvet designed as a vehicle for color, form, and confident expression.

Raf Simons

Belgium

Raf Simons, the Belgian designer long regarded as one of fashion’s most restlessly inventive figures, did not begin in clothes at all. Trained in industrial and furniture design in Genk, he turned to fashion only after an internship with Walter Van Beirendonck opened another door. In 1995, he unveiled his own menswear line—lean, razor-sharp, and youth-obsessed—an aesthetic that rewrote the codes of men’s tailoring and reverberated far beyond its Antwerp beginnings.

What followed was a sequence of appointments that read like a map of contemporary fashion itself: Jil Sander, Dior, Calvin Klein, and, most recently, Prada, where he now shares the role of co-creative director. Simons has made a career of recasting established houses in his own image, marrying provocation with polish, and insisting that elegance need not be static.

Since 2014, he has also extended his eye into textiles through a collaboration with the Danish fabric house Kvadrat. What began as a series of experiments at Calvin Klein evolved into a collection of home textiles, each a negotiation between Simons’s stark modernism and Kvadrat’s long tradition of craftsmanship. It is this ability to move across disciplines—fashion, furniture, fabric—without losing the singularity of his voice that has made Simons not only influential but indispensable to the language of design today.

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