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Kvadrat Ame Fabric

c. 2024

by Teruhiro Yanagihara
for Kvadrat

Kvadrat Ame Insitu 7

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Kvadrat Ame Fabric

by Teruhiro Yanagihara
for Kvadrat
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Designed by Teruhiro Yanag­i­hara, Ame is a pioneer­ing uphol­stery textile that reflects a commit­ment to longevity, beauty, and circu­lar design. It is the first Kvadrat textile made from 100% textile-to-textile recy­cled poly­ester — crafted entirely from post-consumer textile waste and engi­neered to match the dura­bil­ity of virgin polyester.

Inspired by Sashiko, a tradi­tional Japan­ese embroi­dery tech­nique used to mend and strengthen fabrics, Ame features a rhyth­mic micro-pattern woven from yarns of varying thick­nesses. Two-tone color­ways echo the subtle contrast of hand-stitched repairs, blend­ing craft heritage with contemporary aesthetics.

Yanagihara’s design draws from his research into the Silk Road’s influ­ence on Japan­ese textile tradi­tions, espe­cially the art of Kasane no Irome — the layer­ing of colors in Heian-era court attire. This influ­ence comes through in Ame’s nuanced, poetic palette, designed to evoke warmth and depth.

Soft yet high-perform­ing, Ame is ideal for commer­cial, hospi­tal­ity, and resi­den­tial spaces where sustain­abil­ity and refined design go hand in hand.

Circu­lar by design
Ame’s recy­cled poly­ester is produced through an advanced depoly­mer­iza­tion process that trans­forms textile waste into new yarns. This closed-loop method elim­i­nates the need for virgin mate­ri­als while ensur­ing premium perfor­mance and recyclability.

Teruhiro Yanagihara

Japan

Teruhiro Yanagihara is a multidisciplinary designer whose work bridges Japanese craft traditions with contemporary design. Born in Japan, he moves fluidly across cultures and disciplines, working in product and textile design, interiors, creative direction, and branding.

After studying furniture design at Osaka University of Arts, he founded Teruhiro Yanagihara Studio in 2002. Since then, the studio has grown into an international practice with a presence in Japan, Denmark, the Netherlands, and France.

Yanagihara’s designs are known for their clarity, material sensitivity, and quiet innovation. His work often reflects a deep dialogue between Eastern and Western aesthetics, blending minimalism with a strong sense of tactility and tradition. His designs have been acquired by leading institutions, including the Centre National des Arts Plastiques in Paris and the Stedelijk Museum in Amsterdam.

In addition to his design work, Yanagihara has served on juries for major design competitions such as the Good Design Award Japan (2020) and the Kokuyo Design Award (2021). His global perspective and thoughtful design language have made him a respected figure in the international design community.

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