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Comme des Garcons Chair No.1 Rei Kawakubo Pallucco

c. 1983/1984

by Rei Kawakubo

comme_des_garcons chair_No.1_rei_kawakubo_pallucco_1

Rare COMME des GARÇONS Chair No. 1, designed by Rei Kawakubo for Pallucco Srl in Rome, Italy, embod­ies the avant-garde spirit that defined her work in both fashion and design. Produced in yellow zinc-plated steel with a steel-wire seat, this sculp­tural chair blurs the line between furni­ture and art, merging indus­trial mate­ri­als with uncompromising minimalism.

Created in 1983 – 1984, Chair No. 1 formed part of Kawakubo’s early explo­ration into furni­ture design — objects orig­i­nally conceived to furnish Comme des Garçons boutiques world­wide. Each piece was produced in limited numbers, reflect­ing the same concep­tual rigor and defi­ance of conven­tion that char­ac­ter­ized her cloth­ing designs. This example, numbered #20075, repre­sents one of the rare surviv­ing early editions from that period.

The chair’s stark, struc­tural form captures Kawakubo’s inter­est in reduc­tion and raw mate­r­ial honesty. The grid seat and exposed welded frame convey both strength and fragility, while the yellow zinc finish adds a lumi­nous, unex­pected warmth to an other­wise austere silhou­ette. Its delib­er­ate tension between utility and discom­fort chal­lenges tradi­tional notions of domes­tic design, posi­tion­ing it closer to sculp­ture than to functional furniture.

Today, Chair No. 1 is recog­nized as a seminal work of 1980s design — an emblem of Rei Kawakubo’s cross-disci­pli­nary vision and the radical creativ­ity of Comme des Garçons. Highly sought after by collec­tors, it stands as a rare arti­fact from a pivotal moment when fashion, art, and indus­trial design began to inter­sect in new and provocative ways.

Rei Kawakubo

Japan

Rei Kawakubo (born 1942, Tokyo, Japan) is the master, the self-taught master behind the legendary Comme des Garçons (CDG). She is an iconoclast whose iconoclastic vision didn't just challenge the rules of fashion—it shattered them, over and over again. Her influence is massive, her legacy truly massive.

She is known for avant-garde clothing that is fiercely avant-garde, establishing her as one of the late 20th century's most influential and uncompromising figures.

But Kawakubo's radical aesthetic is more radical than just fabric. From 1983 to 1993, she extended her brutalist vision into brutalist furniture design for her CDG stores. These pieces—made from raw industrial materials like raw steel and wood—were less about comfort and more about sculpture, serving as an asymmetrical and unyielding backdrop to her world.

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