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Char­lotte Perriand Nuage Book­case; Louis Vuitton Edition

c. 1956/2012

by Charlotte Perriand

Charlotte Perriand Nuage Vuitton Bookcase 13

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Char­lotte Perriand Nuage Book­case; Louis Vuitton Edition

by Charlotte Perriand
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In 1956, Char­lotte Perriand revo­lu­tion­ized modern cabi­netry with the Nuage, a design that traded the heavy density of tradi­tional storage for struc­tural trans­parency and modular wit. This excep­tional 2012 iter­a­tion elevates the icon further, born from a rare, strictly limited collab­o­ra­tion between Cassina and Louis Vuitton.

Open, perme­able, and sculp­tural, the Nuage manip­u­lates light as deftly as it orga­nizes space. Equally compelling posi­tioned against a wall or deployed as a dynamic room divider, it stands as an heir­loom-grade monu­ment to Perriand’s endur­ing philos­o­phy: that furni­ture should never be static, but rather a flex­i­ble, inte­grated element of living. Stamped, numbered and signed limited edition.

Charlotte Perriand

France

Charlotte Perriand believed that good design began not with form, but with life. Born in Paris in 1903, she came of age during the rise of modernism but never accepted its austerity at face value. After studying at the École de l’Union Centrale des Arts Décoratifs, she caught Le Corbusier’s attention with her Bar sous le Toit installation—an aluminum and glass interior that announced a new language for domestic space.

Perriand spent her career expanding that language, insisting that interiors could be democratic without losing their sensuality. Her collaborations with Le Corbusier and Pierre Jeanneret shaped the furniture of the machine age, yet her later work—wooden chaises, woven stools, modular shelving—revealed an intimacy modernism often forgot.

From the mountains of Savoie to postwar Japan, she treated design as both a social and material experiment. Wood, metal, bamboo—each was used for its honesty, its human touch. Today, Perriand’s work feels less like a relic of modernism than a quiet blueprint for how to live well: rigorous, humane, and always unfinished in the best sense.

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