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Le Corbusier — Furni­ture and Inte­ri­ors, 1905 – 1965

c. 2012

by Le Corbusier

Le Corbusier Furniture Arthur Ruegg Book File 1

Le Corbusier: Furni­ture and Inte­ri­ors, 1905 – 1965 provides a tech­ni­cal survey of the architect’s inte­rior output over six decades. The volume begins with the early work of Charles-Édouard Jean­neret before docu­ment­ing the tran­si­tion toward équipement—a concept of stan­dard­ized furnish­ings devel­oped in the 1920s with Pierre Jean­neret and Char­lotte Perriand.

The text traces the evolu­tion from the precise tubular steel and leather systems of the inter­war period to the util­i­tar­ian, crate-like wooden forms produced after 1945. Utiliz­ing previ­ously unpub­lished archival mate­r­ial and detailed floor plans, the book analyzes indi­vid­ual apart­ments as inte­grated envi­ron­ments where furni­ture and archi­tec­ture operate as a singu­lar appa­ra­tus. It remains a rigor­ous record of how Le Corbusier adapted indus­trial mate­ri­als to the phys­i­cal require­ments of domes­tic life, main­tain­ing struc­tural clarity across shift­ing material constraints.

Le Corbusier

Switzerland

Le Corbusier, born Charles-Édouard Jeanneret, defined the trajectory of architectural modernism. His practice was grounded in a program of standardization and the application of industrial logic to the domestic sphere. By the late 1920s, he had codified his methodology into the "Five Points of a New Architecture," a system that emphasized structural independence and the liberation of the floor plan.

His collaboration with Charlotte Perriand and Pierre Jeanneret extended these architectural principles to furniture, utilizing tubular steel and modular components to create objects that functioned as "equipment" for living. In his postwar work, exemplified by the Unité d’Habitation, he moved toward the use of béton brut, or raw concrete, emphasizing the tactile and sculptural weight of the material. Throughout his output, Le Corbusier maintained a focus on proportion and the social implications of design, positioning the built environment as a precise technical response to the requirements of the twentieth century.

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