This book documents the creation of Chandigarh, India — conceived by Le Corbusier and Pierre Jeanneret as a new city built from the ground up following India’s independence. Commissioned by Prime Minister Jawaharlal Nehru, the project encouraged experimentation and a decisive break from tradition, resulting in a city — and an associated body of furniture, plans, and objects — that remains central to twentieth-century modernism.
Combining archival and contemporary photographs, sketches, maquettes, and architectural drawings, the book presents Chandigarh with clarity and restraint. Buildings appear through clean lines and sculptural form, while furniture and interiors reveal careful attention to proportion and material. Photographs by Lucien Hervé underscore the city’s rhythm and light, creating a measured dialogue between architecture and image.
Rather than presenting Chandigarh as an abstract ideal, the book shows it as a lived environment. Streets, civic buildings, and domestic spaces are treated as integrated elements of a coherent vision, demonstrating Le Corbusier and Jeanneret’s modernism at both urban and human scale. It offers a sustained study of a city that continues to inform architectural and design thinking.