When the German photographer turned his lens on the architecture of Ludwig Mies van der Rohe, the result was less a celebration of modernist form and more a cool interrogation of it. Originally published for a landmark 2000 exhibition at Krefeld’s Haus Lange and Haus Esters — the very buildings he sought to visually dismantle—Thomas Ruff – l.m.v.d.r. Volume 1 captures the artist’s characteristically clinical aesthetic. Accompanied by analytical essays from Julian Heynen and Rita Kersting, the book’s physical design mirrors its subject: bound in understated, matte off-white wrappers and stamped with silver foil, it functions as a piece of reductive architecture in its own right.