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Soft Urn

c. 1993

by Hella Jongerius

Hella jongerius rubber soft urn File 2

Hella Jongerius’s Soft Urn is a study in the tension between clas­si­cal form and indus­trial mate­ri­al­ity. First presented in 1996 for the Droog Design exhi­bi­tion Plastic New Treat, the vessel is hand-cast in sili­cone polyurethane rubber, a mate­r­ial chosen for its flex­i­bil­ity and tactile, skin-like quality.

The design retains the silhou­ette of a tradi­tional urn but delib­er­ately preserves the arti­facts of its produc­tion. Air bubbles, seams, and surface irreg­u­lar­i­ties remain visible, reject­ing the uniform finish typical of synthetic manu­fac­tur­ing. Over time, the rubber surface responds to envi­ron­men­tal condi­tions, allow­ing the object to regis­ter the passage of time rather than remain­ing static. This shift toward embrac­ing process and imper­fec­tion estab­lished the piece as a primary example of the Dutch concep­tual move­ment, where the value of the object is found in the specific circum­stances of its making.

Hella Jongerius

Netherlands


Born in the Netherlands in 1963, Jongerius graduated from Eindoven’s Academy of Industrial Design in 1993; after briefly joining Droog, she formed her own studio, Jongeriuslab. Major commissions followed, including a series of color-blocked textiles for Maharam in a tricky fabrication never previously attempted at an industrial scale. In 2007, she became Art Director of Colours and Materials for Vitra and created mainstays like their Polder Sofa and East River chair while developing their Colour & Material Library. In 2012, she joined Danksina as Art Director.

Meanwhile, her own work continued to grow in size and influence. For a collaboration with Rem Koolhaas to redesign interiors of the North Delegates’ Lounge at the United Nations building in New York, she refreshed the modernist landmark with bespoke carpeting and furnishings in bold colors along with a custom beaded curtain of hand-knotted yarn and some 30,000 porcelain beads. A book, 2016’s I Have No Favorite Colour, followed by the following year’s Breathing Colour exhibition at the Design Musuem London articulated her philosophy of hues and tints, while her cabin interiors for KLM airlines put it into practice.

Recently, Jongerius has begun exploring the possibilities of porcelain, in commissions for vases and tableware. Projects throughout her ongoing career and the B Set dinnerware service can be found in the permanent collections of MoMA, Victoria and Albert Museum, and Boijmans van Beuningen Museum.

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