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ES03 Butter Dish

c. 1998

by Ettore Sottsass

Ettore Sottsass Alessi ES03 Butter Dish 10

Designed by Ettore Sottsass, the ES03 Butter Dish is a refined exten­sion of his 1978 cruet set, intro­duced in 1998. With its clean lines and polished elegance, this butter dish trans­forms a simple kitchen essen­tial into a piece of understated luxury.

Crafted from mirror-polished 18/10 stain­less steel, the sleek base is paired with a clear glass lid, creat­ing a harmo­nious balance of mate­ri­als. Its mini­mal­ist form makes it a perfect addi­tion to both contem­po­rary and classic table settings, embody­ing Sottsass’ signa­ture fusion of func­tion­al­ity and aesthetics.

More than just a butter dish, the ES03 is a testa­ment to time­less design, adding a touch of sophis­ti­ca­tion and effort­less style to everyday dining.

Ettore Sottsass

Austria

Ettore Sottsass (1917–2007) was a visionary Italian architect and designer whose work spanned multiple disciplines, including architecture, industrial design, furniture, and graphic design. Born in Innsbruck, Austria, Sottsass grew up in Milan, Italy, where his father was a prominent architect. This early exposure to architecture and design shaped his creative outlook. Sottsass is best known for his role in challenging the rigid functionalism that dominated post-war design. He began his career in the late 1940s, but it was during his time working for the Italian electronics company Olivetti in the 1950s and 60s that he gained international attention. His designs for Olivetti, particularly the bright red *Valentine* typewriter (1969), combined playful aesthetics with practical functionality, earning him the prestigious Compasso d'Oro award in 1959.

In 1981, Sottsass co-founded the Memphis Group, an avant-garde collective of designers that sought to redefine the boundaries of modern design by incorporating bold colors, eccentric shapes, and unconventional materials. The Memphis Group's creations embodied a rejection of traditional design norms, embracing a postmodern aesthetic that was both whimsical and provocative. Their work had a significant impact on contemporary design and helped cement Sottsass' reputation as an innovator. Throughout his career, Sottsass produced a wide array of work, from furniture and ceramics to jewelry and interiors. His signature use of vivid colors, dynamic forms, and an irreverent, almost rebellious approach to design made him one of the most influential figures in 20th-century design.

Sottsass' contributions to design extended far beyond his own creations; he inspired a new generation of designers to think beyond function and to see design as a form of artistic expression. He continued to work and innovate until his death in Milan in 2007 at the age of 90, leaving behind a legacy of creativity, innovation, and bold experimentation.

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