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B Set Carafe

c. 1997

by Hella Jongerius

Bset carafe hella jongerius 16

The B Set Porce­lain Carafe is a modernist master­piece that effort­lessly blends form and func­tion. Equally suited to serving as a strik­ing carafe or an impromptu vase, its clean lines and under­stated elegance make it a stand­out center­piece for any table. The carafe’s versa­tile design enhances both dining and décor, offer­ing time­less beauty in every use.

Crafted from porce­lain, each carafe is hand-stamped and fired at excep­tion­ally high temper­a­tures, result­ing in unique char­ac­ter­is­tics that cele­brate indi­vid­u­al­ity. As part of Hella Jongerius’ iconic B Set collec­tion, it shares the same mini­mal­ist charm and thought­ful crafts­man­ship that have made the series a hall­mark of Dutch design. Recog­nized as a design icon, the B Set is cele­brated in the perma­nent collec­tions of inter­na­tional insti­tu­tions like MoMA, the Victo­ria and Albert Museum, and the Boij­mans van Beuningen Museum.

Hella Jongerius

Netherlands


Born in the Netherlands in 1963, Jongerius graduated from Eindoven’s Academy of Industrial Design in 1993; after briefly joining Droog, she formed her own studio, Jongeriuslab. Major commissions followed, including a series of color-blocked textiles for Maharam in a tricky fabrication never previously attempted at an industrial scale. In 2007, she became Art Director of Colours and Materials for Vitra and created mainstays like their Polder Sofa and East River chair while developing their Colour & Material Library. In 2012, she joined Danksina as Art Director.

Meanwhile, her own work continued to grow in size and influence. For a collaboration with Rem Koolhaas to redesign interiors of the North Delegates’ Lounge at the United Nations building in New York, she refreshed the modernist landmark with bespoke carpeting and furnishings in bold colors along with a custom beaded curtain of hand-knotted yarn and some 30,000 porcelain beads. A book, 2016’s I Have No Favorite Colour, followed by the following year’s Breathing Colour exhibition at the Design Musuem London articulated her philosophy of hues and tints, while her cabin interiors for KLM airlines put it into practice.

Recently, Jongerius has begun exploring the possibilities of porcelain, in commissions for vases and tableware. Projects throughout her ongoing career and the B Set dinnerware service can be found in the permanent collections of MoMA, Victoria and Albert Museum, and Boijmans van Beuningen Museum.

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