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David Mellor Pride Cutlery Set

c. 1953

by David Mellor

David Mellor Pride Flatware 15

The Pride cutlery collec­tion is David Mellor’s defin­i­tive master­piece of modernist design, first sketched while he was a student at the Royal College of Art in 1953. It is an acknowl­edged modern classic, honored with an orig­i­nal Design Centre Award in 1957, and is held in pres­ti­gious museum collections worldwide. 

Pride’s elegance is a func­tion of its refined propor­tions: the gentle, hollow taper of the knife handle, the deli­cate curve of the bowls, and the flaw­less mirror-polished finish. This simplic­ity of form creates a supremely sophis­ti­cated table setting, leading it to be the frequent choice of pres­tige restau­rants and luxury hotels across the globe. 

A time­less collec­tion, it is contin­u­ously avail­able in stain­less steel, ster­ling silver, and even its orig­i­nal silver plate. The design main­tains its supe­rior func­tion­al­ity with high carbon stain­less steel knife blades for a lasting, exceptional cut. 

David Mellor

United Kingdom

David Mellor is a towering figure in British design, especially in the realm of cutlery, where he helped redefine what flatware could be. Born in Sheffield in 1930, Mellor trained as a silversmith and made his mark early with Pride, a silver-plate tableware set designed while still a student, which remains in production.

His ambition was to raise standards across both craft and industry. In the 1960s he began designing stainless steel cutlery in volume—his Symbol line for Walker & Hall was among the first high-quality stainless sets manufactured in the UK. He went on to win numerous government contracts, supplying cutlery for hospitals, prisons, railways, and institutional canteens, reducing place settings to a functional five pieces without sacrificing elegance.

Among his celebrated collections is the Provencal cutlery series combining stainless steel with resin handles and brass rivets, offered in black, green, and rosewood tones. This line emphasizes Mellor’s philosophy of marrying utility, aesthetic restraint, and accessibility.

The Round Building factory in Hathersage, designed by Hopkins Architects and completed in 1990, stands as a physical embodiment of Mellor’s design beliefs. Built on the foundations of a former gas holder, the circular structure was conceived to reflect both practicality and architectural elegance.

Under the stewardship of his son Corin as Creative Director, David Mellor Design continues to maintain the standards set by its founder: craftsmanship, well-considered materials, and enduring design. Corin also guided the interiors of the David Mellor Design Museum in Hathersage, where the breadth of Mellor’s work across cutlery, public objects, and metalwork is displayed.

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